Week of Art: Day 5…Skateboard Graphics History

27 02 2009
Santa Cruz...Timeless

Santa Cruz...Timeless

For those of you who dont know me, growing up in Southern California skateboarding is just natural. But I think something we all should focus on this week is skateboard graphics. The industry today is full of brand advertising and sponsorships…most of which all ties to the one thing that you shred the most and represents who you are…your DECK.  There was more to the transitional design change of Skulls and Cross Bones to the Evil Cartoon and then ultimately to the art we see today.

When skateboarding became popular in in the 1980’s it was very “Thrasher” and followed the design conventions of punk and heavy metal. This was the the critical mass period. Then skateboarding went underground from the late 80’s to the mid nineties. This period is comparable to web 1.0 and 2.0. All the wannabes left and just the core die-hards stayed to define the next generation of brands that weren’t as concerned with the “skate or die” heritage.

Brands such as Blind, Droors, New Deal, Element and World Industries defined the new renaissance. Built with a ”For Skateboarders by Skateboarders” mentality. I look at 37signals as the perfect example of a web design company that was started during web 1.0 but then helped to redefine the industry during its resurgence of web 2.0. There are a ton of comparisons to draw upon there. For example DC SHOE CO USA was created by Ken Block and the original name was Droors Shoe Company.

To understand why the art work changed you have to understand the period of time that the renaissance took place. Big pants, graffiti, shaved heads, tiny wheels, no plastic guards, no pads. The renaissance was the street… the first time around it was about vert, dogtown and all of that.

The artwork took on a novelty look for a few reasons. It started by knocking off well known logos and putting them on t-shirts. Then they moved to making cartoons that looked harmless but if you looked closer they were more provocative. Just like web 2.0 they couldn’t have cared less about the trademarks they violated. World Industry was the prime example of how do do this successfully.

Then the late 1990′s broght about another change. Whether due to the influence of urban lifestyles or popular music, skateboarding took on the “Ghetto” look. New Brands like DC, Alphanumeric, and others were positioned to influence the urban style. This is where hiphop, skateboarding and athletics had combined into an entirely new look.

Then the need and dedication to continually evolve Zero, a brand that took on the original heavy metal look, long hair, tight jeans; a throw back to the origins of skateboarding. In essence, the exact opposite of “Ghetto” became “Hessian”. If you look up what that means it almost defines todays young skateboarder generation.

“An unclean individual who attempts to portray himself as hypermasculine. Predominant in 1980s U.S.A. Common traits include dirty mullet hairstyle, pathetic facial hair, tight fitting acid-washed jeans, black vintage metal tee (cut-off sleeves optional), and “ticking-timebomb” demeanor.”

Unfortunately since then skateboarding has hit critical mass again and will need to go underground to washout the brands that are just cashing in. It is funny how it started and ended up in the same place. Now these brands have expanded into lifestyle companies that sell at your local Macy’s Department Store. That is a clear indicator that something new and original will emerge again.

It’s interesting to ponder the next changes we’ll see, especially with the rise of politics, uncertain times and propaganda like imagery that has meaning and is socially conscious will grasp the minds of our youth. It’s possible that we’ll only see a slight modification, or complex transformations with a more militant or protest twist. I can say that in my short lifetime, this is the first time I have ever seen teenagers wear a picture of a president on their t-shirts… and that is a HUGE deal. It means that kids are looking for something to believe in…that the wish wash and NASCAR like branding of skateboarders isnt selling the the Skate Or Die culture and I assure you, brands will begin to reflect this idea soon.





Week of Art: Day 4…Brian Caissie…PRO Artist

26 02 2009
A smith grind kinda moment...

A smith grind kinda moment...

Active Rideshop, is my hometown spot and stomping grounds to meet some of the up and comers, caught up with photographer Brian Caissie and asked him a few questions about what the life of a Professional Skateboarding Photographer a while back. I thought it would be a neat little piece to display this week. If you have a second to peruse Project Trident, you better go check out Brian’s website as well www.briancaissie.com

Brian on how he got started and where he hails from.  I’m from Halifax Nova Scotia, the East Coast of Canada. I’ve been skating and into videos and magazines since I was a kid. I was never really that good though. I was always drawing and doing art so when I got injured I would always just end up capturing my friends with cameras. It was easy and fun because they were really good. I started filming first then leaned more into photography, I still do both though. There’s a time and place for each.

He has some sick footy tagged to his name, so obviously we’re all curious about his equipment.  My equipment varies a lot. When the shot needs it I like to have the right machine to capture it just right , you know? I have a nikon digi, hasselblad X-Pan, Hasselblad medium format kit, and a 4×5 rail camera. And the normal flashes and other stuff to weigh me down on the road.

A tough question for anyone, but especially a professional photographer…Brian was asked what he considers his best moment?  Whoa, that’s a deep one considering that’s all I do in life. I always have my camera with me. I’d have to say any over seas trips with good friends. Argentina was great. Also I had a great time on the Flip tour this year. Just meeting Tom Penny and hanging out with those guys was great.

Every photographer has their dream model, skater, building, scenario, etc…what is Brian’s??  There are so many right now, but anyone who is just happy to be skating and full of ideas. I enjoy shooting with Chris Haslam a lot, he’s always got cool spots and different tricks on his mind. Magnus Hanson and the Decenzo brothers I shoot with the most. They can skate for ten hours a day and they never complain about the lack of spots, they just skate.

Inspiration is key, you can’t be fake with anything or people see right through you.  But we all can take inspiration from others and utlize it. This is what inspires Mr. Caissie. I like photographers that when I see a photo I can tell who shot it. Just something a little different in the way they handle things. For skating I like Gaberman, Mike Omeally and Bartok are great! I look at a lot of fashion photographers too, they are the best! Patrick Demarchelier, David Lachapelle, Rankin, Platon, Norman Jean Roy, Robert Maxwell, David Bailey, there’s too many to name. Art shouldn’t be rushed.

Last Words?  Every human endeavor, however singular it seems, involves the whole human race – Jean-Paul Sarte.

Thanks to Brian and Active for this interview. Hit up the shop if you are a SoCal native and look for more of Brian’s work. Keep checking back this week too for more artists. 




Week of Art: Day 3…DC Photographer Mike Blabec

25 02 2009

A moment frozen in time...

Check out the first of a 5 part mini series interview at Transworld Skateboarding on Mike Blabec…DC’s photographer pressin his upcoming book. You can check the interview here and below are some snipits. It’s a very cool piece and gives an insider’s perspective of the skateboarding world as well as the role photography plays in the sport.

Mike Blabac has been shooting photos since the late 80′s, has been DC’s photographer since the late 90s, and now has a photo book due out soon that’s dedicated to a life’s work in skateboarding. Read on to see where he got his start, how he came up, and get a sneak peak and some of the iconic photos to be included in his book.

How did your book come about?
Two years ago Ken Block hit me up about it. At that point I’d been at DC for eight years and I’d been involved in so much stuff, whether it was Danny jumping the Great Wall or the Mega Ramp stuff, plus there is a lot of photos of people who are really important in the history of skateboarding—people like Anthony, Stevie, Smith and Colin. It’s an honor for me to be part of skateboarding and to do this book.

But this book is not going to be just DC riders.
No, that’s something that Ken didn’t want. It’s naturally going to be a DC thing because that’s what I’ve done for two thirds of my career, but he wanted the photos I shot of Kalis and Danny when I was a kid, plus all the Girl, S.F, and Mad Circle photos.

How did you get into skateboard photography?
I started skating in the mid 80′s and I was interested in photography and always intrigued by cameras as a kid. I’d shoot a whole roll of film trying to get one perfect photo. It didn’t really click with me until I started looking at skate mags—that was ’86/87. I had this uncle who knew about photography, so I’d dog-eared some pages and asked him, “How they did this and how they did that? Why was this so bright?” He explained to me what fill flash was and what a fisheye did. So then I was really intrigued, because not only do these guys get to see the best skateboarding, but they also get a chance to make all these awesome images. That’s the most important thing to me. If I get too old to hop a fence and end up doing commercial work… but that stuff doesn’t mean anything to me—when you’re looking through a Wired mag and you see a Sony ad, you don’t give a shit about it, but as a skater, when your flicking through a skateboarding magazine you do. Being able to shoot guys like Danny and for people to be stoked, then that means more to me than anything. I think that’s why we all do it.

When did you get your first break?
I moved to San Francisco at the beginning of ’94. I knew that there was a lot of skating going on at the time, but it wasn’t until I went to EMB and was like holly shit, there’s Mike Carroll, Jovantae [Turner], and Scott Johnston, all these guys. I didn’t even shoot photos, all I did was skate. I didn’t carry a camera ’cause I couldn’t skate. I ran out of money and started working at the GAP folding T-shirts at five o’clock in the morning—that was a little hard on me after partying all night. So Aaron Meza and Scott Johnston introduce me to Mike Carroll and Karl Watson, so fortunately I wasn’t one of the guys that [James] Kelch would clown. So gradually I became friends with those guys ,and Scott clued me in and was like, “Why don’t you shoot photos of skating?” I’d shot this Pure Wheels ad of him and got paid two-hundred bucks, which was way more than I was making at the GAP, so that’s when it all started. I knew some of the Deluxe dudes and would skate the DMV curbs with them, but it was Scott who helped me get a job helping out Justin Girard at Mad Circle—I worked for there for three years. They’ve always kept it real up there. Sometimes areas are hotter than others, and I was really lucky to be there and be friends with those guys. I got to see rad skating and got to skate every day. I didn’t have a car for four years, all day on the buses.

Would you say that L.A is now the forefront of skateboarding?
Yeah absolutely, it really is. I wish that I was up there more, but I’m down here, trying to put S.D on the map.

San Diego has had a great resurgence in the last couple of years?
Yeah, hopefully we can help it more. In L.A that’s where everyone is at, there’s a lot of companies up there too.

What’s the difference between working for a magazine and working for a shoe company?
It’s tough, when you work for a mag you can go out and shoot with whoever you want to shoot with, but with a company, love it or hate it, you have to deal with those ten dudes or how many guys are on the team. It’s good because you do  get really close to the team dudes.

The DC skate team is still the core of it.
It started as a skate company and it doesn’t matter to me if they start a bowling team, skateboarding is still the number one thing at DC. I don’t care what anyone has to say. That means a lot to me. I still want to shoot ads and I still get a buzz when people like them—that means more to me than anything.

What does it take to be a good skateboard photographer?
Number one is that you have to be a really good photographer. I’ve learned a lot over the years and I’m still learning. Number two is that you have to have the patience of a saint, whether it’s dealing with the team or dealing with the people who are trying to stop you from skateboarding—those are two of the main traits you’re gonna need.

Whose work did you look up to while growing up?
Luke Ogden, Spike [Jones] and Grant [Briiain]. At that time in the 80s, they were doing cool shit—like Grant’s Miller pole cam shot was incredible. Those images made me want to do it. When I was a kid in Michigan I had no idea that things would work out like they did. I was shooting Bill Danforth at a demo and it was awesome.

Check out the rest of the 5 part interview at Transworld Skateboarding. I’ll keep posting links to the series and some more snipits because Mike has been around for A LONG time and this is a rare opportunity to get an inside look at photography and the skateboarding world.





Week of Art: Day 2…Michael Bosanko…Light Graffiti

24 02 2009

Light Graffiti...Go Green!

Today, my first artist of the week is from Welsh named Michael Bosanko who has traded in his paintbrush for lights and a digital camera. Using only these tools, the 39-year-old artist creates light graffiti using five colored flashlights and by leaving his digital camera set for long exposure.  I’m sure you have all seen the Sprint commercials with the Architecture in Helsinki song, but this is a form of graffiti that can be shared with the world without doing anything damaging or illegal.

To create these light effects Bosanko covers an ordinary household flashlight with acetate paper which allows him to bring different shades of the color spectrum into his art. As an abstract artist, Bosanko tries to incorporate a sense of the surreal into all of his photographs.

Here’s what Bosanko has to say about his work:

“I use my torches like an artist would use a paint brush. I employ an exposure that lasts from ten seconds to one hour and then try to let my art manage to create what I had imagined. What I feel I am trying to convey is a sense of an aesthetically pleasing shape that clearly does not belong in that particular place or area.”

Bosanko is causing waves in the photographic art-world and says he plans to take his light graffiti to exhibitions around the country and possibly internationally.

Check out his site here.





Week of Art…

23 02 2009
Find the Mind in the Mission...

Find the Mind in the Mission...

This week I want to take the time to recognize artists and their work. I think skateboarding is very similar to art and there is a direct correlation between the two. We are in an industry where everything is about brand marketing, and how many sponsors a Pro has or even what lad has the ickiest new get-up. I also believe art and skateboarding have the same effects on the mind, body, soul and enviornment. My individual style of skateboarding is different from yours and is harvested by our culture, enviornment and up-bringing. The same goes for art, if you grew up skating tranny in parks or ledges and back alleys…if you were asked to create a montage that represents your perspective of skateboarding…I bet they would be EPICALLY different than mine because art is a representation of one self. I have a love of certain types of graffiti and this is directly related to the culture of southern california. They may be gang symbols, or menaces to a freeway underpass, and I dont condone any type of illegal activity, but at the same time the streets are a canvas and each person is an artist at heart…so try to look past these issues that first come to mind and admire the effort, sweat and passion of the artist and what their mind has poured into life.

So I challenge us all to admire photography, art, graffiti, sculpture and even skate park design. IT’S ALL ART. And if you have some sick footy or photos, submit them as a comment or email me and I’ll add them to my Flickr account that will be linked to the website soon.

Enjoy the art this week and remember to be thankful for what you have and never be afraid to express your true passion!! You’d be amazed what you might have in common with someone you dont even know. A mind is a terrible thing to waste.





Boarding for Breast Cancer…Valentine’s Day Edition!!

18 02 2009

Boarding for Breast Cancer

 As many of you know by now, I am an avid philantrhopist…hence the reason for the creation of this site. I wanted to bring a new perspective to skateboarding and the skateboarding industry to help foster change and in the process give back to our communities.

I had a dear friend who lost her mother to breast cancer a few years ago and its one of the most devestating diseases we have ever seen and I hope someday very soon we have either a more effective way to treat it or possibly even a cure. I’m not sure about all of you, but my short version is women run the world and really make our lives complete.  There is a famous quote that says “Behind every great man, there is a great woman.” No idea who said it, but my guess is it was someone very smart that had perspective in their life.  So today I’m kicking some love to the Boarding for Breast Cancer PSA that was completed recently.  It is done by 2 of my favorite actors from It’s Always Sunny in Philadelphia, Kaitlin Olson (Dee) and Rob McElhenney (Mac).

The premis of the PSA is intended to be tongue-in-cheek and titled, “Boob Snow.” Directed by Bradley Scott and produced by Maneater Productions & Yonderwood, “Boob Snow” is a 1:08 snip it of footy feturing Dee and Mac, who are married in real life, encouraging couples to do self breast exams regularly and have some fun while they’re at it. Given their natural humor and what they bring to this piece, we can guarantee that you’ve never seen breast self-exam techniques like these before. I dont want you youngins to get any ideas either, this PSA is intended to increase awareness and uses comedy as the vehicle, you should all remember that this behavior can be considered inappropriate so please be advised.

Olsen’s said “I was honored to be asked to do this public service announcement for B4BC, and to support a cause as important as women’s health and breast cancer education,” said Kaitlin. “Rob and I were grateful to be involved, and hope we help save some boobies.”

B4BC wanted to express that even though it’s important for women to get to know their own breasts, research shows that a significant amount of lumps are found by a woman’s partner, so why not explore breast changes together this Valentine’s Day and keep it up regularly.

To view the PSA please visit B4BC and turn on the B4BC Boob Tube.

So take care of your lady, respect her, love her and always be a gentleman…she’s the most important person in your life and if your lucky you’ll find the one that changes your world like I have.

Keep it real and enjoy the footy here!!





GARBAGE TIME!!!

17 02 2009
Smash da Trash!!

Smash da Trash!!

Yo,

I know it’s been a while since my last post and I apologize…sometimes this stuff happens when you have a job. Anyways, I hit up the skate park the other night and wanted to point something out…TRASH! Come on guys, we need to keep our paradise clean! I know we all get thirsty, but I’m not a fan of leaving bottles, and cig’s laying all over the place. Part of Social Skateboard Responsibility means taking care of our environment, and cleaning up every now and then. Its for the best…one of my favorite foundations is the Surfrider Foundation, which is ALL ABOUT picking up the trash, so lets take the modo from them keep our spots clean and respect them.

Your mom wouldn’t let you keep you room that dirty would she?

Keep up the effort guys and keep killing it at the parks.





Nike SB Welcomes Theotis Beasley & Matt Beach To The Squad!

10 02 2009
Welcome to the Team Theotis Beasley and Matt Beach

Welcome to the Team Theotis Beasley and Matt Beach

Theotis Beasley
DOB: February 16, 1991 (Age 17)
Theotis is from Inglewood, California. Via word of mouth, he is one of the nicest kids you will ever meet and apparently has taken the liking of the BIG Boss himself. But on top of that he is one of the most gifted and blessed skaters around. He has one of the prettiest backside heelflips you’ll ever see. Keep an eye out for him because he’s going to make a name for himself now that he’s in the BIG SHOW.

Theotis Beasley...

Theotis Beasley...

Matt Beach
DOB: September 20, 1977 (Age 31)
Matt has been around the bloc a time or two, and he’s got an all around game. Matt is from Portland, Oregon and he’s be labeled a “Skate Rat” because he’s always out there skating and working on his craft. He was featured in an episode of “GVR Goofy vs. Regular” for Fuel TV. He has a rare ability to skate street, or in the park, hit the rails and even the occasional halfy. Eric Koston has been quoted as saying “Matt is rare breed in this day and age” and “Matt has a gift, and fortunately for us, he shares that gift.”

MAD SKILLS...Like Ninja Skills, Kung-Fu Skills & Skating Skills!!

MAD SKILLS...Like Ninja Skills, Kung-Fu Skills & Skating Skills!!

From all of us at Project Trident, welcome to the Nike SB team gents. As noted in other posts, there is a SERIOUS youth movement going on right now in the skateboarding world as we have seen with Nyjah Huston moving around and now Theotis Beasley being elevated to the Nike SB team with the PRO tag as well. I love seeing this as these kids are the next group that are going to shape skateboarding’s future…and the addittion of Matt Beach to the Nike SB team as well only helps these guys as his reputation preceeds him as an amazing skater but also as a teacher.

Tip my hat to Nike SB…Solid Additions.





The Rob Dyrdek/DC Shoes Skate Plaza Foundation in LA…SICKYPANTS!!

9 02 2009
SICKYPANTS!!!!

SICKYPANTS!!!!

Shout out to all the SoCal locals.  I grew up in Orange County so this is EPIC news to hear for me.  The Rob Dyrdek/DC Shoes Skate Plaza Foundation just announced it has begun development of its first “Safe Spot, Skate Spot” in Los Angeles’ Lafayette Park this January. The Lafayette Safe Spot Skate Spot should be completed by late February 2009… SICKY PANTS!!

Just to throw a little background on the program but The Safe Spot Skate Spot was developed by The Rob Dyrdek/DC Shoes Skate Plaza Foundation to support legal and safe skate spots for communities interested in developing skateable terrain for their skateboarders. Based from the skate plaza concept, the Safe Spot Skate Spot program will provide an alternative option for communities to develop real legal street skating locations given limited budgets or space restrictions. Basically, to develop and build a skate park or skate plaza takes a GINORMOUS amount of community support and involvement, financing, and development resources…let alone land.  It looks like the Foundataion has developed a work around to all of these with the Safe Spot Skate Spot program by utilizing land currently idela and donations rather than straight fiscal expenditures. 

The Lafayette Safe Spot Skate Spot was developed in partnership with The Rob Dyrdek/DC Shoes Skate Plaza Foundation, Newline Skate Parks and California Skate Parks. At just over 7000 square feet of skateable terrain the spot will contain ledges, benches and stairs that flow through the park’s natural landscape. It’s noted that a generous donation by CKE Restaurants, Inc. (a.k.a. Carl’s Jr.® hamburger chain) to The Rob Dyrdek/DC Shoes Skate Plaza Foundation secured the development of the Lafayette skate spot. So from everyone at Project Trident a BIG thank you to the Carl Karcher and the entire Karcher Family for their donation.

Not gonna lie to you, but this development is awesome for those in LA. I think we should all support this development and check it atleast once in our lifetime.  Hope to meet some of you there someday and if you have any ideas like this or have some connections that could throw an idea like this together, drop The Rob Dyrdek/DC Shoes Skate Plaza Foundation a line…their helping all of us and our communities.

SICKYPANTS!!





Join The Project Trident Skateboarding Group on Facebook!!

7 02 2009
It's not official until its on facebook...

It's not official until its on facebook...

Yo,

Just wanted to get the word out that I created a new group on Facebook for Project Trident Skateboarding.  Everyone is welcome to join as this site is about enhancing our community. So when you get a chance check it out and join the group, I’ll gladly accept. As I have said before, we need all the help we can get.

Have a looksy and throw me a bone.

Thanks Everyone!








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